*the camera doesn't itself constitute the event (hot camera); it is reduced to the mere recording of events whose progression relies on the characters (cold camera).
main body of small text:
Dogme technique: to produce the truth out of the material being worked — characters, settings. The truth is understood as unveiling characters being naturally veiled. The camera is no longer an instrument of fiction; the feeling is of films producing themselves before the eyes, in real time (theatrical process). More than realistic cinema, live cinema.
beyond dogma is the point(or one of the points) of live cinema
what can be kept in mind is a phrase from robert bresson (especially for all those working/exploring live cinema and especially those that are prone to "over working" the possibilities afforded to them from the latest in technological advancements)
THE DISTINCTION BETWEEN BEAUTIFUL IMAGES AND NECESSARY IMAGES
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